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We visit a special artwork fundraiser for the upcoming Sculpture on the Gulf with photographer Connor Ward.
Reece King on his current exhibition at Hocken Gallery, Ōtepoti Dunedin.
The artist discusses vintage couture, queer performance, and the theatre of the Melbourne Cup.
We visit Slow Burn: Women and Photography with photographer Andy Snaps.
We visit The Second Hand Is Turning at Jhana Millers Gallery with photographer Phoebe Lysbeth Kay.
The artist reflects on painting Country, desert colour, and ancestral connection.
The artist speaks time, division, and the politics of connection.
On aura, reproduction, and the afterlife of images.
The artist discusses weaving architecture, memory, and site.
The artist discusses regeneration, scarred vessels, and sustainable relationships with Country.
The artist discusses memory, erasure, and the language of childhood drawing.
The artist discusses food, domestic surrealism, and the familiar made strange.
The artist on boredom, self-belief, and the theatre of waiting.
The artist speaks reclaimed domestic materials, urban Māori memory, and the architecture of migration.
The artist speaks on carving, creation, and knowledge transmission.
The artist speaks on myth, material, and the politics of retelling.
The artist speaks hip hop, heritage, and the aesthetics of value.
The artist speaks to surface, chance, and the intimacy of copper.
The artist speaks fragments of screen time and the aesthetics of digital distraction.
Zina Swanson on her current exhibition at Sumer, Tāmaki Makaurau.