Group Admits Mistake opens at Artspace Aotearoa

We attend the opening Jack Valentine’s Fun Bad Time

Weathering., an essay on Lisa Benson

Public Record opens new gallery on Great North Road

Nela Fletcher on non-places and nine years of fitting in

Inside Ashleigh Taupaki’s Biennale de Lyon presentation

Julia Holderness recreates the afterlife of Emily Harris

Hendrix Hennessy-Ropiha on unsettling relics from the past

Sahana Rahman on rage and the juxtaposition of material language

Lucy Meyle and Ziggy Lever on filmic process and the hidden life of animals

Madison Kelly on tides, tīpuna and listening to the sounds of the harbour

Inside access to the Arts Gala 2026

Venus Blacklaws opens at Plomacy

Liu Xi on clay, the body, and her golden era of feminism

Sage Rossie-Tong explores movement, embodiment and temporary landscapes

Cosmic Attunements

Exhibition opening: Cosmologies

Exhibition opening: Silent Kōrero

Exhibition opening: Good Company

Siobhan Wooding on Māori cosmologies, civic space and the politics of the cabbage tree

Opening event: Selina Ershadi at Artspace Aotearoa

Exhibition opening: brunelle dias primbs at Grace

Exhibition opening: BETWEEN US

Brett Graham on Doorway to Night and the architecture of memory

Kalisolaite ‘Uhila on subcultures, cultural return and skateboarding as a site of freedom

Exhibition opening: Material Echoes — Contemporary Adornment

Mickey Smith on chained libraries and living institutions

Grace Wright on world-building and abstraction

Brittany Walker Smith on frivolity, fantasy and feminine escape

Monica Rani Rudhar on heritage, fragility and the material language of memory

Opening photos: Sculpture on the Gulf Art Event

The Ogee & Manaia

Exhibition opening: Mau Āhua

Scotty So: Oh this archival Dior hat?

John Reynolds on decay, collaboration, and a world gone chemically berserk

Opening Event: Slow Burn at Te Papa